What I love about her is that she does so many editorials that really seem to be for art's sake. There's hardly anything commercial about most of what she does. She's a model, who sometimes does commercial stuff, occasionally does runway, but really creates art. Verushka was like that. She doesn't strike me as a model who's in it for the money, but who wants to more interesting jobs.
Klimt is one of my favorite painters. I wish they had remade Adamo et Eva, but no such luck. I think this is absolutely amazing.
I so agree about not recognizing her. That's what I love so much about her. She channels. Ginta becomes whoever her character is through makeup and acting (like a blank canvas to express the photographer's vision), and Eniko embodies a concept, and a photographer is lucky to collaborate with her. I try to feature really different types of models each week, and I adore them all.
This feels like graphic art. I love the grungy, earthy feel. I didn't recognize her.
ReplyDeleteWhat I love about her is that she does so many editorials that really seem to be for art's sake. There's hardly anything commercial about most of what she does. She's a model, who sometimes does commercial stuff, occasionally does runway, but really creates art. Verushka was like that. She doesn't strike me as a model who's in it for the money, but who wants to more interesting jobs.
ReplyDeleteKlimt is one of my favorite painters. I wish they had remade Adamo et Eva, but no such luck. I think this is absolutely amazing.
I so agree about not recognizing her. That's what I love so much about her. She channels. Ginta becomes whoever her character is through makeup and acting (like a blank canvas to express the photographer's vision), and Eniko embodies a concept, and a photographer is lucky to collaborate with her. I try to feature really different types of models each week, and I adore them all.
ReplyDelete